Difference between revisions of "Microphones"

From Jeskola Buzz Wiki
Jump to: navigation, search
(added notable models)
(Notable models)
Line 10: Line 10:
 
==== Notable models ====
 
==== Notable models ====
 
* '''Shure SM57''' is a classic stage microphone. It has an emphasized very warm and punchy mid area and handles loud stuff like drums very well. For vocal use they tend to work well with the more aggressive kind of singing like rock, metal, punk etc.
 
* '''Shure SM57''' is a classic stage microphone. It has an emphasized very warm and punchy mid area and handles loud stuff like drums very well. For vocal use they tend to work well with the more aggressive kind of singing like rock, metal, punk etc.
 +
* '''Shure SM58 beta''' generally resembles the SM57 but has appx. 2 khz more treble and a filter to reduce pops. It is more suited for vocals than the SM57, but perhaps less charming on drums and guitars.
 
* '''Sennheiser 421''' is much more linear than the SM57 and almost resembles a condensor mic in some ways. It is excellent for brass instruments and tom drums, but can be used for almost anything.
 
* '''Sennheiser 421''' is much more linear than the SM57 and almost resembles a condensor mic in some ways. It is excellent for brass instruments and tom drums, but can be used for almost anything.
 
* '''Electrovoice 635A''' is very mid and high mid area based, has excellent phase response and is amazing for aggressive distortion guitar and angry vocals. It sounds like a pissed off SM57. Being able to record mostly the stuff right in front of it, while leaving out ambience, it is very popular in TV broadcast. Forget about really low bass though.
 
* '''Electrovoice 635A''' is very mid and high mid area based, has excellent phase response and is amazing for aggressive distortion guitar and angry vocals. It sounds like a pissed off SM57. Being able to record mostly the stuff right in front of it, while leaving out ambience, it is very popular in TV broadcast. Forget about really low bass though.

Revision as of 16:22, 1 February 2010

There are many different types of microphones: Dynamic, condenser, carbon, piezoelectric, and even more more exotic types. The two types of microphones that are the most common by far, are dynamic and condensor microphones.

Dynamic microphones

Dynamic microphones work pretty much like a loudspeaker. The air affects a small membrane attached to a coil suspended in a magnetic field. When the air vibrates, the movement causes the induction of electricity, which then simply needs to be amplified using a designated microphone amplifier.

The typical properties of the dynamic microphone is it's ability to handle rather loud sounds and being robust and sturdy. They also don't make too much rumble when being moved while recording. This is why they're popular for stage use, singing live and generally situations where there's a lot of movement.

They also tend to pick up the local sound much more than ambient sound. This makes them handy when there's a lot of background noise from the surroundings. They are typically less suitable for recording weak ambient sounds.

Notable models

  • Shure SM57 is a classic stage microphone. It has an emphasized very warm and punchy mid area and handles loud stuff like drums very well. For vocal use they tend to work well with the more aggressive kind of singing like rock, metal, punk etc.
  • Shure SM58 beta generally resembles the SM57 but has appx. 2 khz more treble and a filter to reduce pops. It is more suited for vocals than the SM57, but perhaps less charming on drums and guitars.
  • Sennheiser 421 is much more linear than the SM57 and almost resembles a condensor mic in some ways. It is excellent for brass instruments and tom drums, but can be used for almost anything.
  • Electrovoice 635A is very mid and high mid area based, has excellent phase response and is amazing for aggressive distortion guitar and angry vocals. It sounds like a pissed off SM57. Being able to record mostly the stuff right in front of it, while leaving out ambience, it is very popular in TV broadcast. Forget about really low bass though.

Condensor microphones

These work by placing two metal plates very close to each other. By sending a current into one plate, and measuring how much is transfered to the other plate, you can tell the distance between these two plates very accurately. Condensor microphones need phantom power or batteries in order to provide such a current.

The typical properties of condensors are that they are more fragile than dynamic microphones (don't drop them!) They produce rumble much easier if moved or subjected to wind. Because the rather thin metal plate is much easier for the air to move than the membrane+coil design of dynamic microphones, they tend to be more sensitive to even little details. They pick up ambient noise much easier, and typically span over a wider frequency range than dynamic microphones.

Directional properties

Different designs of microphones can make them sensitive in either all directions or certain directions. The most typical types are omnidirectional, cardioid and bi-directional (the figure of 8). You can see the shapes and types on wikipedia.

Diaphragm sizes

Microphones, especially the condensor kind, come in various diaphragm sizes. Large diaphragms tend to pick up the sound more naturally whereas small diaphragms are better at picking up very small details and local acoustic phenomena. One size doesn't fit all, and choosing the right type depends very much on the situation and the nature of the sound source.